Your rough cut, done before the coffee is
Upload a talking video. Get it back with the silences, the filler words and the bad takes already cut, then fix the rest by editing the transcript.
So um, today I want to show you 1.2sthe, uh, the fastest way to edit, wait, let me start over. Today I want to show you the fastest way to like, edit a talking video. 0.9sYou just you know, upload it, and um, the dead air is already gone.
Your words on the left, your video on the right. Anything struck through is already gone, and one click brings it back.
Four passes over your footage, each one you can see and undo.
Every pause is found and trimmed. Keep it natural, or switch to Jumpy and lose every breath between sentences for that fast, no-empty-air cut.
Spoken fillers are spotted in the transcript, including the quiet uhs a transcript usually misses, and cut without clipping the words around them.
So um, the trick is basically to you know, say it once uh, and move on.
When you restart a sentence, the false starts are dropped and the take you finished stays.
The first thing you want to do is open the… no, hang on.
The first thing you want to, sorry, one more time.
The first thing you want to do is open your project.
Strike out a sentence and it leaves the video. Click anything that was cut to bring it straight back.
Then you export it. Honestly I did not plan this part. And that is the whole video.
So um, the trick is basically to you know, say it once uh, and move on.
The first thing you want to do is open the… no, hang on.
The first thing you want to, sorry, one more time.
The first thing you want to do is open your project.
Then you export it. Honestly I did not plan this part. And that is the whole video.
An illustration. How much comes out depends on how you talk.
Six styles, nineteen fonts, your colours. Drag them where you want them, or translate them into eleven languages.
The best stand-alone moments are found for you and turned into vertical clips with captions.
Layer text, pictures and sound over the video on a timeline. A free music library is built in.
Written from what you actually said, for YouTube, TikTok and Instagram.
Remove background noise, even out the volume, and let music duck under your voice.
Give yours the same headline, plain white captions and an opening with no dead air. The headline can be read straight off a screenshot.
Drag the edge of any cut, split a clip, move clips around or play one twice. Every cut stays a suggestion you can undo.
A finished MP4, the sound alone as an MP3, or a timeline for Premiere Pro, DaVinci Resolve or Final Cut Pro.
Save your caption look and logo once and every new project starts with them.
Hours are footage you upload each month. Change or cancel whenever you like.
Perfect for beginners to explore and learn.
$0 $0 / month
For light users with a limited number of videos each month.
$20 $10 / month
$120 billed once a year
For creators who publish every week and want more room.
$40 $20 / month
$240 billed once a year
For those who demand the highest level of performance.
$100 $50 / month
$600 billed once a year
By the length of the footage you upload each month. A 20 minute recording uses 20 minutes. Unused time does not roll over.
One hour of footage every month, with every editing feature and ten AI writes. Free exports carry a small watermark, and audio enhancement and timeline export to other editors are part of the paid plans.
Each time you ask for chapters, titles, descriptions or shorts to be written, that is one AI write. Translating captions uses one for every forty sentences. They renew every month with your footage.
Yes. Nothing is deleted from your video. Click any struck-through word or pause in the transcript to put it back.
MP4 and MOV files, which is what phones, cameras and screen recorders make, in either vertical or horizontal.
Premiere Pro and DaVinci Resolve with an .xml timeline, and Final Cut Pro with .fcpxml. You can also download a finished MP4 and .srt captions.
Any time, from the billing page. You keep your plan until the end of the period you paid for.